StrangeLittleGirls
The Girls
by Neil Gaiman |
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She seems so cool, so focused,
so quiet, yet her eyes remain fixed upon the horizon.
You think you know all there is to know about her immediately upon meeting her,
but everything you think you know is wrong. Passion flows through her like a
river of blood.
She only looked away for a moment, and the mask slipped, and you fell. All your
tomorrows start here. |
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You know how it is when you
love someone?
And the hard part, the bad part, the Jerry Springer show part is that you never
stop loving someone. There's always a piece of them in your heart.
Now that she is dead, she tries to remember only the love. She imagines every
blow a kiss, the make-up that inexpertly covers the bruises, the cigarette burn
on her thigh -- all these things, she decides, were gestures of love.
She wonders what her daughter will do.
She wonders what her daughter will be.
She is holding a cake, in her death. It is the cake she was always going to bake
for her little one. Maybe they would have mixed it together.
They would have sat and eaten it and smiled, all three of them, and the
apartment would have slowly filled with laughter and with love. |
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There are a hundred things she
has tried to chase away the things she won't remember and that she can't even
let herself think about because that's when the birds scream and the worms crawl
and somewhere in her mind it's always raining a slow and endless drizzle.
You will hear that she has left the country, that there was a gift she wanted
you to have, but it is lost before it reaches you. Late one night the telephone
will sing, and a voice that might be hers will say something that you cannot
interpret before the connection crackles and is broken.
Several years later, from a taxi, you will see someone in a doorway who looks
like her, but she will be gone by the time you persuade the driver to stop. You
will never see her again.
Whenever it rains you think of her. |
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Thirty-five years a showgirl
that she admits to, and her feet hurt, day in, day out, from the high heels, but
she can walk down steps with a forty-pound headdress in high heels, she's walked
across a stage with a lion in high heels, she could walk through goddamn Hell in
high heels if it came to that.
These are the things that have helped, that kept her walking and her head high:
her daughter; a man from Chicago who loved her, although not enough; the
national news anchor who paid her rent for a decade and didn't come to Vegas
more than once a month; two bags of silicone gel; and staying out of the desert
sun.
She will be a grandmother soon, very soon. |
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And then there was the time
that one of them simply wouldn't return her calls to his office. So she called
the number he did not know that she had, and she said to the woman who answered
that this was so embarrassing but as he was no longer talking to her, could he
be told that she was still waiting for the return of her lacy black underthings,
which he had taken because, he said, they smelled of her, of both of them. Oh,
and that reminded her, she said, as the woman on the other end of the phone said
nothing, could they be laundered first, and then simply posted back to her. He
has her address. And then, her business joyfully concluded, she forgets him
utterly and forever, and she turns her attention to the next.
One day she won't love you too. It will break your heart. |
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She doesn't know who owned the
jacket originally. Nobody claimed it after a party, and she figured it looked
good on her.
It says KISS, and she does not like to kiss. People, men and women, have told
her that she is beautiful, and she has no idea what they mean. When she looks in
the mirror she does not see beauty looking back at her. Only her face.
She does not read, watch TV, or make love. She listens to music. She goes places
with her friends. She rides rollercoasters but never screams when they plummet
or twist and upside down.
If you told her the jacket was yours she'd just shrug and give it back to you.
It's not like she cares, not one way or the other. |
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She is not waiting. Not quite.
It is more that the years mean nothing to her any more, that the dreams and the
street cannot touch her.
She remains on the edges of time, implacable, unhurt, beyond, and one day you
will open your eyes and see her, and after that, the dark.
It is not a reaping. Instead, she will pluck you, gently, like a feather, or a
flower for her hair. |
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--sentences.
Sisters, maybe twins, possibly cousins. We won't know unless we see their birth
certificates, the real ones, not the ones they use to get ID.
This is what they do for a living. They walk in, take what they need, walk out
again.
It's not glamorous. It's just business. It may not always be strictly legal.
It's just business.
They are too smart for this, and too tired.
They share clothes, wigs, make-up, cigarettes. Restless and hunting, they move
on. Two minds. One heart.
Sometimes they even finish each other's -- |
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Standing in the shower,
letting the water run over her, washing it away, washing everything away, she
realises that what made it the hardest was that it had smelled just like her own
high school.
She had walked through the corridors, heart beating raggedly in her chest,
smelling that school smell, and it all came back to her.
It was only what, six years, maybe less, since it had been her running from
locker to classroom, since she had watched her friends crying and raging and
brooding over the taunts and the names and the thousand hurts that plague the
powerless. None of them had ever gone this far.
She found the first body in a stairwell.
That night, after the shower, which could not wash what she had had to do away,
not really, she said to her husband, "I'm scared."
"Of what?"
"That this job is making me hard. That it's making me someone else. Someone I
don't know any more."
He pulled her close, and held her, and they stayed touching, skin to skin, until
dawn. |
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She feels at home on the
range; ear-protectors in position, man-shaped paper target up and waiting for
her.
She imagines, a little, she remembers, a little and she sights and squeezes and
as her time on the range begins she feels rather than sees the head and the
heart obliterate. The smell of cordite always makes her think of the fourth of
July.
You use the gifts God gave you. That was what her mother had said, which makes
their falling out even harder, somehow.
Nobody will ever hurt her. She'll just make her faint vague wonderful smile and
walk away.
It's not about the money. It's never about the money. |
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Here: an exercise in choice.
Your choice. One of these tales is true. She lived through the war. In 1959 she
came to America. She now lives in a condo in Miami, a tiny French woman with
white hair, with a daughter and a grand-daughter. She keeps herself to herself
and smiles rarely, as if the weight of memory keeps her from finding joy.
Or that's a lie. Actually the Gestapo picked her up during a border crossing in
1943, and they left her in a meadow. First she dug her own grave, then a single
bullet to the back of the skull.
Her last thought, before that bullet, was that she was four months' pregnant,
and that if we do not fight to create a future there will be no future for any
of us.
There is an old woman in Miami who wakes, confused, from a dream of the wind
blowing the wildflowers in a meadow.
There are bones untouched beneath the warm French earth which dream of a
daughter's wedding. Good wine is drunk. The only tears shed are happy ones.
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Some of the girls were boys.
The view changes from where you are standing.
Words can wound, and wounds can heal.
All of these things are true. |